Having previously argued that killing the flea would be, "sacrilege, three sinnes in killing three", Donne then says that the fears were unfounded, and that the woman's fears about sleeping with Donne's persona before marriage would be unfounded and irrational too.
The three stanzas convey Donne's point from every angle, which is perhaps a way of ensuring that his argument is watertight and can stand up to any opposition from the woman. As well as the structure of the poem's argument being typically metaphysical, it is also no less intricately designed than the general internal structure, including the rhyme scheme and The exaggerated language is used to try and support the poem's argument and encourage the submission of the woman, which, because of the metaphysical genre, seems to be an often obscure and in places seemingly illogical argument.
In conclusion, it is thus very clear that John Donne's The Flea poem is typically metaphysical, by embodying quintessential characteristics of the genre throughout the poem. As well as the conceit within the poem, and the metaphysical manipulation of the poem's structure and form, the poem is also one of immense innuendo. In keeping with metaphysical conventions, although there are constant hints towards the erotic, the poem does not have any explicit reference to it, highlighting the subtlety of the argument he portrays, which is cleverly hidden but delivered through use of a very unusual and absurd object which in this case is the physical existence of the flea itself.
The poem is successful as a typical poem of the metaphysical poetic movement, as it utilises every element of the poem, including its structure and language, to exhibit the archetypal attributes of absurd imagery and witty, intelligent and yet subtle arguments to convey the passionate argument of John Donne. This student written piece of work is one of many that can be found in our University Degree Donne section. Get Full Access Now or Learn more. See related essays.
Such a comparison is rather tenuous and stretches metaphor to its limit. Conceits such as this however, are commonplace in metaphysical poetry The theme of unrequited love around which the poem centres is a common theme for metaphysical poets and Donne explores this theme thoroughly in "Twicknam Garden".
In fact, John Donne uses the anticipated physical separation to ward off the sorrows that could have soiled their farewell. Essentially, the poem is a series of metaphors that each describes a different way of looking at the separation.
Arguably, John Donne hopes that each different aspect portrayed by the. Rather than face and resolve unfinished business, people are often resistant, and avoid difficult issues.
This could be because they catastrophise about the consequences of fully experiencing the associated uncomfortable and painful emotions. With the example of relationship ending, the client's pain might relate to the prospect of facing life on her own. Such a comparison would be called metaphysical according to Gardner, who states that a metaphysical conceit must concern two things so dissimilar that we 'feel an incongruity' It is a pun where he is showing to the readers about the importance of chastity and discipline in the poetic style but he is showing different aspects in his thematic style.
He address that the idea of chastity that is embodied in the body of the flea where killing it would establish three sins. These three sins refer to the dishonor of the Holy Trinity itself. Donne is playful here and he is suggesting his beloved not to kill the flea since she would lose as much honor as the flea took away her blood. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Please follow and like us:.
Leave a Reply Cancel reply Your email address will not be published. The speaker in this poem hopes to convince his lady to sleep with him by trivializing sex and comparing it to something as insignificant as a flea. Meanwhile I say lady, screw the speaker and the flea you would get more of a commitment from a machine than a guy as afraid of human contact as this one. He tries to persuade his girlfriend that the flea has taken both of their blood which, in the sixteenth century views is equal to having sex and their "two bloods mingled be".
When the narrator compares a flea sucking his girlfriend's blo At this point of the poem, the mistress is probably is turmoil as to what she wants to do; she could have sex with her boyfriend to keep him happy and stop him complaining, or she could keep saying no and hold on to her virginity and dignity.
The poet recovers the argument by trying to convince the girl that having sex is as painless as squashing a flea. The "honour" of sex, which she has not allowed the narrator, has been wasted upon the death of the flea. His wording in this poem tries to convince this lady that their blood has already mingle in this flea, so they should just make love.
However, the woman he is trying to seduce thought he is out of his mind and kills the flea. The reader can see that he is trying to make excuses to make love to her. Donne keeps saying that their love making will not be looked down upon, which it will. Explication of John Donne's The Flea John Donne's, "The Flea," is a persuasive poem in which the speaker is attempting to establish a sexual union with his significant other.
However, based on the woman's rejection, the speaker twists his argument, making that which he requests seem insignificant. John Donne brings out and shapes this meaning through his collaborative use of conceit, rhythm, and rhyme scheme. In the beginning, Donne uses the flea as a conceit, to represent a sexual union with his significant other.
For instance, in the first stanza a flea bites the speaker and woman. The poem maintains one speaker until the end, but interesting enough, has two significant characters: the speaker and his lover. The speaker in this poem is a man, who is strategically trying to convince a woman to have premarital sex with him through the conceit based on a flea, however, the coy lady has thus far yielded to his lustful desires.
In the first stanza, the speaker wants his beloved lady to observe a flea and not think of anything else as he delivers his argument.
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